Seedance 2.5 使用教學：Dreamina 完整指南

MODE: Omni Reference
MATERIALS: 4 images · 1 motion clip · 1 voice sample
SETTINGS: 10 seconds · 16:9 · 720p

[Characters]
@Image 1 defines the courier's face, hair, and body proportions.
@Image 2 defines the same courier's jacket, helmet, and backpack.

[Product]
@Image 3 defines the exact bottle shape, cap, label colors, and material.

[Scene]
@Image 4 defines the rainy convenience-store exterior and sign placement.

[Motion and audio]
@Video 1 defines the bicycle approach, dismount, and camera tracking rhythm.
@Audio 1 defines the courier's voice only. Do not inherit its background music.

[Scene goal]
Create a rainy-night convenience-store product shot with one continuous courier.

[Timeline]
[0-4s] The courier rides into frame from screen-left and stops beneath the store sign.
[4-7s] The courier dismounts, opens the backpack, and removes the single bottle.
[7-10s] The courier turns the bottle label toward camera and says once in the voice
from @Audio 1: {Delivery for the night shift.}

[Count and exclusions]
Output exactly one courier, one bicycle, one backpack, and one bottle.
Keep the bottle label readable. Do not inherit people, locations, or music from @Video 1 or @Audio 1.

MODE: Omni Reference
MATERIALS: @Image 1 wetland environment · @Image 2 crane identity
SETTINGS: 8 seconds · 16:9 · 720p

[Reference roles]
@Image 1 defines only the autumn reed bed, shallow water, mist, sunrise direction, and golden-green color palette.
@Image 2 defines one adult red-crowned crane: white body feathers, black flight feathers, red crown, long dark legs, and slender proportions.
Do not inherit extra birds, framing, text, or artificial objects from either reference.

[Creative direction]
Create a restrained wildlife-documentary moment at sunrise. Keep the crane near frame center in a low, eye-level-with-the-water medium shot. Use naturalistic contrast, soft atmospheric depth, and a slight handheld response to the bird's movement without losing the subject.

[Timeline]
0-3s: The crane stands still in ankle-deep water, then opens both wings in one slow continuous motion. The wing movement pushes visible rings across the water; the bird remains fully in frame.
3-6s: The same crane makes one light forward hop, touches down with both feet, and sends a small fan of droplets outward. The camera rises only enough to follow the hop.
6-8s: The crane folds its wings, settles into a tall standing pose, turns its head toward screen-right, and gives one clear call. Hold the final pose for the last half-second.

[Audio and continuity]
Use quiet water movement, reeds in a light breeze, one wingbeat sequence, one landing splash, and one crane call. No music, narration, dialogue, captions, or subtitles. Exactly one crane throughout; no duplicated wings, changing plumage, abrupt lens change, cutaway, or new animal.

MODE: Base generation · staged timeline
MATERIALS: Optional florist identity and flower-shop scene references
SETTINGS: 30 seconds · 16:9 · 720p

[Generation goal]
A florist receives an online order, assembles the bouquet, packs it, and hands it to a courier.

[0-7s · order received]
Initial state: the florist is alone behind the counter; flowers are sorted in buckets.
The tablet notification arrives and she reads the order.
End state: the tablet sits beside an empty wrapping sheet.

[7-19s · bouquet assembled]
Continue the same florist, apron, counter, and flower layout.
She selects white tulips and orange ranunculus, then ties the stems.
At 19s, one complete bouquet lies centered on the wrapping sheet.

[19-27s · packed]
She wraps the bouquet and adds exactly one card.
Two seconds later, the courier enters from screen-right.

[27-30s · collected]
The handoff completes and the courier exits screen-right.

[Maintain consistency]
One florist, one courier, one bouquet, unchanged clothing, fixed counter direction,
continuous morning light, no subtitles, quiet shop ambience.

MODE: Smart Edit
MATERIALS: @Video 1 source master; @Image 1 replacement lamp
SETTINGS: Source aspect ratio and approximate source duration are locked

[Source]
@Video 1 is the sole master for shot order, duration, camera path, performer motion,
occlusion, lighting progression, room geometry, and original dialogue.

[Target]
@Image 1 defines the replacement desk lamp only: smoked amber glass, brass stem,
black braided cable. Do not inherit its background, table, shadows, or camera angle.

[Edit]
Replace only the single white lamp on the desk with the lamp from @Image 1.
Keep exactly one lamp. Preserve its original position, scale, contact shadow,
switch-on timing, and every other event as closely as possible.

[Exclusions]
Do not change the actor, desk, books, window, camera, dialogue, or color grade.
Do not add a second lamp or move the cable.

MODE: Extend Video · backward
MATERIALS: @Video 1 source; @Image 1 curator; @Image 2 silver brooch
SETTINGS: Add 8 seconds before source · source ratio locked

[Materials]
@Image 1 defines the museum curator's face and navy suit.
@Image 2 defines the silver brooch in the display case.
@Video 1 is the source video.

[Task]
Extend before @Video 1. The final frame of the new segment must connect naturally
to the first source frame.

[New event]
The curator approaches the display case from the rear gallery, pauses, and leans
slightly forward to inspect the brooch.

[Boundary]
At the join, match the curator's pose, head direction, hand position, distance from
the case, brooch placement, reflections, background visitors, composition, light,
camera height, and movement direction shown in @Video 1's first frame.

[Continuity]
This is one continuous curator and one display case. Do not duplicate either.
Any visitor who first appears in the source must not appear early in the extension.

MODE: First and Last Frames
MATERIALS: @Image 1 first frame · @Image 2 last frame
SETTINGS: 10 seconds · aspect ratio inherited from @Image 1

@Image 1 is the first frame: an unlit paper lantern rests on a dark riverbank.
@Image 2 is the last frame: the same lantern floats downstream, glowing warmly.

Beginning from @Image 1, a hand lights the lantern and releases it onto the water.
The camera tracks low beside it as the current carries it away, ending in the exact
subject placement and broad composition of @Image 2. Preserve one lantern only.
No cuts, no second lantern, and no change of river direction.

MODE: Omni Reference · ordered keyframes
MATERIALS: @Image 1 through @Image 4
SETTINGS: 12 seconds · 16:9 · 720p

Use @Image 1 through @Image 4 as keyframes in that order.
@Image 1: the unopened package is centered on the blue table.
@Image 2: the lid is lifted and the product is first visible.
@Image 3: the same product stands upright beside the open package.
@Image 4: that product fills the final hero composition.

Create natural hand motion and continuous camera movement between these states.
Keep one package and one product. Preserve shape, label, table color, and screen direction.

MODE: Omni Reference · storyboard guidance
MATERIALS: @Image 1 clean 3×3 storyboard
SETTINGS: 30 seconds · 16:9 · 720p

@Image 1 is a 3×3 storyboard read left-to-right, top-to-bottom.
Use it for story order, approximate composition, and shot progression only.

Panels 1–3: wide arrival, medium doorway pause, close-up of the key turning.
Panels 4–6: slow interior track, over-shoulder reveal, reaction close-up.
Panels 7–9: object pickup, fast exit, locked-off final empty room.

Render as live-action 35mm night photography. Keep one protagonist and one object.
Do not reproduce sketch lines, captions, arrows, panel borders, or repeated figures.

MODE: Clay Renderer / Omni Reference
MATERIALS: @Video 1 blockout · @Image 1 chef · @Image 2 tray · @Image 3 kitchen
SETTINGS: Match @Video 1 duration and camera route · 16:9 · 720p

@Video 1 is a coarse blockout. Inherit only action timing, character paths,
blocking, camera movement, cuts, and the direction of the light change.

The tall blue capsule becomes the chef defined by @Image 1.
The small orange cube becomes the serving tray defined by @Image 2.
The gray room becomes the restaurant kitchen defined by @Image 3.

Preserve object paths, handoff timing, occlusion order, lens changes, and cuts.
Do not inherit primitive geometry, flat gray materials, axes, guides, or the empty set.

MODE: Base generation with audio enabled
SETTING: One five-second speaking turn

English, understated Singaporean accent, warm but hurried delivery,
the shop owner says: {Your parcel arrived just before the rain.}

As the customer enters: <door chime rings once>
(soft room-tone synth begins under the dialogue, no percussion)

No subtitles, no narrator, no second speaker, no overlapping music vocal.