
Seedance 2.5 ããã³ããã¬ã€ãïŒå®äŸãšãã³ãã¬ãŒã
30ç§å°ºããªãã¡ã¬ã³ã¹ãç·šéãå»¶é·ãããŒãã¬ãŒã ããããã¯ã¢ãŠããé³å£°ãã«ã¡ã©ã¯ãŒã¯ãŸã§ãå ¬åŒSeedance 2.5ããã³ããå ¬åŒãå®äŸã€ãã§åŠã¶ã
åªããSeedance 2.5ããã³ããã¯ãèŠèŠçãªåœ¢å®¹è©ã®çŸ åãšãããããã³ã³ãã¯ããªå¶äœæç€ºæžã®ããã«èªããã被åäœãšèŠããåºæ¥äºãç¹å®ããåç §ãã¡ã€ã«ããšã«åœ¹å²ãå²ãåœãŠãé·ãã·ãŒã³ã段éã«åå²ããå€ããŠã¯ãããªããã®ãæèšããããããByteDanceå ¬åŒã®Dreamina Seedance 2.5 Prompt Guideã貫ãçéã ã[1]
ãã®èšäºã¯ãã®ã¬ã€ããå®çšçãªãªãã¡ã¬ã³ã¹ã©ã€ãã©ãªã«èœãšã蟌ããäœäŸã¯å ¬åŒã®æè²æå³ãä¿ã¡ã€ã€ãéèªèš³ã§ã¯ãªãå¿çšã»æ¡åŒµããŠããã
ããã¯æç¢ºã«Seedance 2.5ããã³ããã¬ã€ãã§ãããã¢ãŒããã¢ããããŒãæäœãçæèšå®ã®è§£èª¬ãå¿ èŠãªå Žåã¯ãå¥èšäºã®Seedance 2.5ãŠãŒã¶ãŒã¬ã€ãã䜿ã£ãŠã»ãããããã³ããèšèšãšãããã¯ãæäœãåããŠããããšã§ãäž¡æ¹ã®è³æã䜿ãããããªãã
60ç§ã§ãããçã
被åäœ + ã¢ã¯ã·ã§ã³/åºæ¥äºããå§ãããã·ãŒã³ãããžã¥ã¢ã«ã¹ã¿ã€ã«ãã«ã¡ã©ãé³å£°ã¯çµæãå€ããå Žåã«ã®ã¿è¿œå ããã- ã¢ããããŒããããã¡ã€ã«ã¯ãã¹ãŠãå¶äœéšéããšããŠæ±ããç»åã¯å€èŠãå®çŸ©ããåç»ã¯åããã«ã¡ã©ãå®çŸ©ããé³å£°ã¯å£°ã»é³æ¥œã»ãªãºã ã»ç°å¢é³ãå®çŸ©ããã
- åç §ã¯ååä»ãã®è¢«åäœäžã€äžã€ã«åå¥ã«çŽã¥ããããç»å1ã4ã¯ãããããã®ãããªæžãæ¹ã§ã¢ãã«ã«4人ã®å¥äººç©ãæšæž¬ãããŠã¯ãããªãã
- é·ãããã³ããã§ã¯ã1段éã«ã€ã1ã€ã®äž»èŠãªç¶æ å€åãšç®ã«èŠããçµäºç¶æ ãæã€é£ç¶ããæ®µéãæžããæ£ç¢ºãªç§æ°ã¯æ¬åœã«åå³ãå¿ èŠãªåºæ¥äºã«ã ã䜿ãã
- ç·šéã§ã¯ããœãŒã¹åç»ãã¿ã€ã ã©ã€ã³ãšã«ã¡ã©ã®å¯äžã®ãã¹ã¿ãŒãšæèšãããç·šéç¯å²ãã¿ãŒã²ããåç §ã®åœ¹å²ãä¿æãã¹ããã¹ãŠãèšè¿°ããã
- åºå¥ãéèŠãªå Žåã鳿¥œã¯äžžæ¬åŒ§ã广é³ã¯å±±æ¬åŒ§ãã»ãªãã¯æ³¢æ¬åŒ§ãåå¹ã¯å šè§ã®é ä»ãæ¬åŒ§ã«å ¥ããã
- ã¢ã€ãã³ãã£ãã£ã人æ°ãæè£ ãå°éå ·ã®æææš©ã空éã®åããé³å£°ãé€å€äºé ãã«ããŒããäžè²«æ§ãããã¯ã§ç· ããããã
åå©çšå¯èœãªéªšæ Œã¯ãããªãïŒ
[çæç®æš]
[çŽ æ]
@Image 1 ã¯...ãå®çŸ©ãã
@Video 1 ã¯...ãå®çŸ©ãã
@Audio 1 ã¯...ãå®çŸ©ãã
[ã·ãŒã³ãŸãã¯æ®µéãã©ã³]
被åäœ + ç®ã«èŠããè¡å/åºæ¥äº + ç°å¢ + ã¹ã¿ã€ã« + ã«ã¡ã© + é³å£°ã
[äžè²«æ§ãç¶æ]
...ãå€ããã«ä¿ã€ã...ãæã¡èŸŒãŸãªãããŸããDreamina 2.5ã®å¶éãšãã®ãµã€ãã®çŸè¡APIãåãåãã
å ¬åŒã¬ã€ãã¯ã¢ããã¹ããªãŒã ã®Dreamina Seedance 2.5å¶äœç°å¢ã説æããŠãããããã¯ããããããµãŒãããŒãã£è£œåãAPIãåãæ¥ã«åãå¶éãå ¬éããŠããããšãæå³ããªãã30ç§ã»50åç §ã®ããã³ãããå¥ã®ã€ã³ã¿ãŒãã§ãŒã¹ã«ãã®ãŸãŸã³ããŒããåã«ãèªåãä»ã©ã®ã«ãŒãã«ããã®ãã確èªããããšããã®ãµã€ãã§ã¯ãSeedance 2.5ã«ãŒããã¢ããã¹ããªãŒã ã®äžéã«äžŠãã äžæ¹ãæ§æ¥ã®2.0ã«ãŒãã¯ããã§ã¯ãªãã
| æ©èœ | å ¬åŒDreamina Seedance 2.5ã¯ãŒã¯ãã㌠| çŸè¡ã®Seedance2.soã¯ãŒã¯ãã㌠|
|---|---|---|
| åç §ç·æ° | æå€§50 | Seedance 2.5ã«ãŒãã§ã¯æå€§50ã2.0ã«ãŒãã§ã¯æå€§15 |
| ç»ååç § | æå€§30æãåæå€§4K | Seedance 2.5ã§ã¯æå€§30æã2.0ã«ãŒãã§ã¯æå€§9æ |
| åç»åç § | æå€§10æ¬ãåèšæå€§30ç§ | Seedance 2.5ã§ã¯æå€§10æ¬ã»åèšæå€§30ç§ã2.0ã«ãŒãã§ã¯æå€§3æ¬ã»åèšæå€§15ç§ |
| é³å£°åç § | æå€§10ãã¡ã€ã«ãåèšæå€§30ç§ | Seedance 2.5ã§ã¯æå€§10ãã¡ã€ã«ã»åèšæå€§30ç§ã2.0ã«ãŒãã§ã¯æå€§3ãã¡ã€ã«ã»åèšæå€§15ç§ |
| çæå°º | ææžåããã2.5ã¯ãŒã¯ãããŒã§ã¯4ã30ç§ | Seedance 2.5ã§ã¯4ã30ç§ã2.0ã«ãŒãã§ã¯4ã15ç§ |
| å®çšäžæãŸããåç §é | å°æ°ã§æç¢ºã«åœ¹å²ã¥ããããçŽ æã®æ¹ãå®å®ãã | åãååãåœãŠã¯ãŸããå šã¹ããããåããããšã¯å質ã®è¿éã«ã¯ãªããªã |
Dreaminaã®å¶éã¯å ¬åŒã®2.5ææž2æ¬ã«ç±æ¥ããã[1][2] å®å®æ§ã®ãããã¬ã€ãã¯1ã8äœã®ç°ãªãç»å被åäœã1äœãããçŽ5ã10ç§ã®1ã5äœã®åç»è¢«åäœããããŠç·šéã§ã¯20ç§æªæºã®ãœãŒã¹ãš1ã5åã®è£å©åç §ãæšå¥šããŠãããããããå€ãæ°ã§ãåäœããããå®å®æ§ã¯äžãããSeedance2.soåã¯çŸåšã®ã¹ã¿ãžãªèšå®ãåæ ãããã®ã§ãã¢ãã«ã®çè«äžã®äžéã§ã¯ãªãã[4] Seedance 2.5ã«ãŒããããã§å ¬éãããŠä»¥éããã®çŽ æäžéãš30ç§åºåã¯ææžåãããã¢ããã¹ããªãŒã ã®æ°å€ãšäžèŽããŠãããå®åäžã®å·®ã¯äž»ã«æ§æ¥ã®2.0ã«ãŒãã«æ®ã£ãŠãããSeedance2.soã¯ç¬ç«ãããµãŒãã¹ã§ãããByteDanceã«ãã£ãŠéå¶ã»ææºã»æ¿èªããããã®ã§ã¯ãªãã
以äžã®äŸã§ã¯å
¬åŒã©ãã«ã®@Image 1ã@Video 1ã@Audio 1ã䜿çšããããã®ãµã€ãã®reference-to-videoããŒã«ã§ã¯ãUIã瀺ãã³ã³ãã¯ããªãã£ãŒã«ãã©ãã«@image1ã@video1ã@audio1ã䜿ãããšã
å ¬åŒSeedance 2.5ããã³ããå ¬åŒ
ByteDanceã¯6èŠçŽ ã®å ¬åŒã瀺ããŠããïŒ[1]
被åäœ + è¡å/åºæ¥äº + ã·ãŒã³/ç°å¢ïŒä»»æïŒ + ããžã¥ã¢ã«ã¹ã¿ã€ã«ïŒä»»æïŒ
+ ã«ã¡ã©ã¯ãŒã¯/ã«ããïŒä»»æïŒ + é³å£°ïŒä»»æïŒå¿ é ãªã®ã¯è¢«åäœãšåºæ¥äºã ãã ãä»»æé ç®ã¯ããããäœããã®å€æææã«ãªããšãã ãå«ãããç»åãéšå±ãåºå®ããŠãããªãå£çŽãç¹°ãè¿ãèšè¿°ããã®ã¯æ³šæåã®ç¡é§é£ãã§ãããã«ã¡ã©ã®åããã³ããŒã·ã£ã«ãå®çŸ©ãããªããããæç€ºãã¹ãã ã
ã¬ã€ãã®é¶èžã¹ã¿ãžãªã®äŸã¯ã以äžã®ãããªå®å šãªããã¹ãã®ã¿ã®ãžã§ãã«å¿çšã§ããïŒ
å ¥å â å®å šãªããã³ãã
Create an 8-second realistic video set in a quiet pottery studio just after sunrise.
[Subject and goal]
One ceramicist completes one pale-blue cup on a spinning wheel, lifts the same cup with both hands, and places it upright at the center of a wooden display shelf.
[Timeline]
0-3s: Medium eye-level shot. The ceramicist makes the final smoothing pass around the wet rim while the wheel turns slowly.
3-5s: Gently push in to show the damp glaze, small finger marks, and the circular motion stopping. The ceramicist lifts the single cup; keep its shape and color unchanged.
5-8s: Cut to a frontal shelf view. The ceramicist places the cup on the center mark, releases both hands, and holds for one second on the completed arrangement.
[Light, camera, and sound]
Use soft dawn light through one side window, natural wood tones, shallow but readable depth of field, and restrained documentary realism. Preserve the low wheel motor, wet-clay friction, one quiet ceramic-on-wood contact, and subtle room tone. No dialogue or music.
[Continuity]
Exactly one ceramicist and one pale-blue cup. Keep the bench orderly. Do not duplicate the cup, change its color, add text, skip the shelf placement, or end before both hands release it.æåã®è¡ã被åäœãè¡åã察象ç©ãæé垯ãäžãããæ®ãã¯å ãåäžã®ã«ã¡ã©ã¯ãŒã¯ãé³ããããŠãã¬ãŠã¯ãããªã察象ç©ãæå®ããââ空èãªå質圢容è©ã§ããã³ãããæ°Žå¢ãããããšãªãã
ããã³ããèšå®ã¯ã·ãŒã³æåã§ã¯ãªã
ã¢ã¹ãã¯ãæ¯ãåºåå°ºãè§£å床ã¯çæã³ã³ãããŒã«ãAPIãªã¯ãšã¹ãã«å±ãããã®ã ãå
¬åŒã¬ã€ãã¯ãããŒãžäžã§ãã§ã«éžææžã¿ã®èšå®ãããã³ããå
ã§ç¹°ãè¿ãã¹ãã§ã¯ãªããšæç¢ºã«è¿°ã¹ãŠããã[1] vertical phone videoãšæžãã®ã¯ãéžæãã£ã³ãã¹ã9:16ã ããã§ã¯ãªããã¹ããæ®åœ±ã®æ åçèšèªãæ±ããå Žåã ãã«ãã¹ãã ã
äžéšã®ã¯ãŒã¯ãããŒã¯ãã©ã¡ãŒã¿ãããã¯ãããç·šéã¯ãããããœãŒã¹åç»ã®æ¯çãšå°ºã«åŸããå é ãã¬ãŒã ãŸãã¯å é ã»æçµãã¬ãŒã æå®ã®ãžã§ãã¯æåã®ç»åã®æ¯çãç¶æ¿ããå»¶é·ã¯ãœãŒã¹æ¯çã«åŸãããããã®å Žåãããã³ããæ¬æã¯ããã¯ãããå ¥åãžãªã¡ããªãäžæžãã§ããªãã[1]
ã·ãŒã³ãæžãåã«åç §ããããçµã
å ¬åŒã®ãã«ããªãã¡ã¬ã³ã¹ã¯ãŒã¯ãããŒã¯èª¬æããã®ã¯ç°¡åã ãçç¥ãããããïŒ
åçŽ æã®åœ¹å²ãå®çŸ©ãã â 被åäœããããã³ã°ãã â ã¿ã€ãå¥ã«ã°ã«ãŒãåãã
â 被åäœãããã¡ã€ã«ãäœæãã â ã·ãŒã³ããšã«åç
§ãéžã¶ãã®é åºããã¢ãã«ã«ãã¹ãŠã®åç §ãã©ãã«ã§ã䜿ãããšãããã®ãé²ãã
1. åçŽ æã«1ã€ã®äž»èŠãªåœ¹å²ãäžãã
æç€ºçãªåœ¹å²è¡ã䜿ãïŒ
@Image 1 ã¯ãããŒã©ã®é¡ãçãé»é«ªãç·ã®äœæ¥çšãžã£ã±ãããå®çŸ©ããã
@Image 2 ã¯ãçé®ã®ãã¹ã¯ã©ã³ãââãã®ããããŒã·ã§ã³ãçµå¹Žã®é¢šåãããã«ãã§ãŒã³ââãå®çŸ©ããã
@Image 3 ã¯ãè³æå®€ã®æ£ãè²èª¿ãçªã®é
眮ãå®çŸ©ããã
@Video 1 ã¯ãããŒã©ã®æã®åããšå·Šããå³ãžã®ãã£ãããšããã«ã¡ã©ãã©ãã¯ãå®çŸ©ããã
@Audio 1 ã¯ãéããªå®€å
é³ãšã»ãªãã®ææãå®çŸ©ããããããŠããã¡ã€ã«ã«ç¶æ¿ãããããªãæ å ±ãå«ãŸããå Žåã¯é€å€äºé ãæèšããïŒ
@Video 1 ã¯åããšã«ã¡ã©ã®ããã ãã«äœ¿ãããã®ä¿³åªãæè£
ãèæ¯ãç
§æãåå¹ã
鳿¥œã¯ç¶æ¿ããªããããã¯ããã¹ãŠã®åç §ãããšã«åç»ãäœã£ãŠããããã£ãšä¿¡é Œã§ãããåŸè ã¯ã2ã€ã®ãã¡ã€ã«ãççŸããå Žåã«ã©ã¡ããåªå ãããããäžå瀺ããªãã
2. ãã¹ãŠã®è¢«åäœãåå¥ã«çŽã¥ãã
ç»å1ã4ã¯ãããã4人ã®ãã£ã©ã¯ã¿ãŒã®ãããªã³ã³ãã¯ããªãããã³ã°ã¯é¿ãããããã¯ã¢ãã«ã«ãã¢ããããŒãé åºã»ã¢ã€ãã³ãã£ãã£ã»ã·ãŒã³åå ãåæã«æšæž¬ãããŠããŸãã1ã€ãã€çŽã¥ããïŒ
@Image 1 ã¯ããªã¬ã³ãžã®ã¬ã€ã³ã³ãŒããçãé
éå¡ãã¢ãå®çŸ©ããã
@Image 2 ã¯ããã€ããŒã®ãšããã³ãã€ããè±å±ãœã«ãå®çŸ©ããã
@Image 3 ã¯ããã¢ã ããéã¶çŽå
ã¿ã®è·ç©ãå®çŸ©ããã
@Image 4 ã¯ãå€ã«åããããèªè»¢è»ãå®çŸ©ããããã®ã·ãŒã³ã§ã¯ã©ã¡ãã®ãã£ã©ã¯ã¿ãŒãããã«ä¹ããªãã1ã€ã®ååã人ç©ãè€æ°ã®ã¢ã³ã°ã«ã§ç€ºãå Žåã¯ãããæèšãããå ¬åŒã¬ã€ãã¯ãã³ã©ãŒãžã¥ããåå¥ã®ãã¥ãŒã®æ¹ãå®å®ãããããšè¿°ã¹ãŠããïŒ[1]
@Image 1ã@Image 2ã@Image 3 ã¯ãåäžã®1å°ã®ãšã¹ãã¬ããœãã·ã³ã3ã€ã®è§åºŠããèŠãåçã§ããã
ãããã¯åãããŠã1å°ã®ãã·ã³ã®åœ¢ç¶ãçŽ æãæäœéšãããŽã®é
眮ãå®çŸ©ããã
ãã·ã³ã¯å¿
ã1å°ã ã衚瀺ããã3å°ã®ãã·ã³ãåå²ç»é¢ã®ã³ã©ãŒãžã¥ãäœã£ãŠã¯ãªããªãã3. 倧ããªããã¯ãå¶äœäžã®åœ¹å²ããšã«ã°ã«ãŒãåãã
è€éãªã·ãŒã³ã§ã¯ãçæžãã®åã«åç §å°åž³ãã°ã«ãŒãåããïŒ
[ãã£ã©ã¯ã¿ãŒ]
@Image 1 ã¯ãã¢ãå®çŸ©ããã@Image 2 ã¯ãœã«ãå®çŸ©ããã
[å°éå
·]
@Image 3 ã¯ãã¢ã®è·ç©ãå®çŸ©ããã@Image 4 ã¯è±å±ã®ã¬ãžãå®çŸ©ããã
[ã·ãŒã³]
@Image 5 ã¯åºã®å€èгãå®çŸ©ããã@Image 6 ã¯æ¢±å
ã«ãŠã³ã¿ãŒãå®çŸ©ããã
[åããšé³å£°]
@Video 1 ã¯è·ç©ã®åãæž¡ããšã«ã¡ã©ã®åãã®ã¿ãå®çŸ©ããã
@Audio 1 ã¯éãã®éšé³ãšãã¢ã®äžã®ãã«ã®é³ã®ã¿ãå®çŸ©ããã4. 被åäœãããã¡ã€ã«ãäœããã·ãŒã³ããšã«åç §ãéžã¶
åå©çšå¯èœãªãããã¡ã€ã«ã¯ãã¢ã€ãã³ãã£ãã£ãçæžãããåãé¢ããŠããïŒ
[ãã¢ã®ãããã¡ã€ã«]
å€èŠ: @Image 1ãæè£
: @Image 1 ã®ãªã¬ã³ãžã®ã¬ã€ã³ã³ãŒãã
åºå®å°éå
·: @Image 3 ã®è·ç©ã¯ãåãæž¡ããŸã§ãã¢ã®å³æã«çãŸãã
åãã®åç
§: @Video 1 ã®æ©ãããŒã¹ã
é€å€äºé
: åžœåãªããåãªããæè£
ã®å€æŽãªããè·ç©ã®è€è£œãªããã·ãŒã³ããšã«ãããã§å¿ èŠãªçŽ æã ãããªã¹ãããïŒ
[ã·ãŒã³1 â åºé ]
䜿çš: @Image 1, @Image 3, @Image 5, @Audio 1ã
åºæ¥äº: ãã¢ãå°éšã®äžãéãŸã£ãè±å±ã®ãã¢ã«è¿ã¥ãã
çµäºç¶æ
: 圌女ã®å³æãçé®ã®ãã¢ãã³ãã«ã«å±ããè·ç©ã¯å·Šè
ã®äžã«çãŸã£ãŠããã
[ã·ãŒã³2 â ã«ãŠã³ã¿ãŒ]
䜿çš: @Image 1, @Image 2, @Image 3, @Image 4, @Image 6, @Video 1ã
åºæ¥äº: ãœã«ãè·ç©ãåãåããã¬ãžã®æšªã«çœ®ãã
çµäºç¶æ
: è·ç©ã¯ãœã«ã®ææç©ã«ãªãããã¢ã®æã¯ç©ºã«ãªããçµäºç¶æ ã¯æ¬¡ã®ã·ãŒã³ã®åºçºç¹ãšãªãçå®ã«ãªããããããªããã°ãå°éå ·ã人æ°ã¯ãã¬ãŠããã
以äžãçµã¿ç«ãŠãããå®å šãªå ¥åãšãæ€èšŒãã¹ãçµæã ïŒ
å ¥å â å®å šãªããã³ãã
Mode: Omni Reference / Reference to Video
Materials: @Image 1 Nia; @Image 2 Sol; @Image 3 parcel; @Image 4 register; @Image 5 storefront; @Image 6 packing counter; @Video 1 handoff motion; @Audio 1 rain and door bell
Parameters: 15 seconds; 16:9; 720p
Prompt:
[Characters] @Image 1 defines Nia in one orange raincoat. @Image 2 defines Sol in one navy apron.
[Props and scenes] @Image 3 defines the only parcel. @Image 4 defines the register. @Image 5 defines the exterior. @Image 6 defines the counter.
[Motion and audio] @Video 1 defines only handoff timing and a slow camera track; do not inherit its people, clothes, room, captions, or music. @Audio 1 defines rain and the door bell only.
[Scene 1 â approximately 0â7s] Nia approaches the storefront through light rain with the parcel under her left arm. End with her right hand on the brass door handle.
[Scene 2 â approximately 7â15s] Continue inside. Sol receives the same parcel and places it beside the register. End with Sol owning the parcel and Nia's hands empty.
[Consistency] Exactly two people and one parcel. Preserve identity, clothing, shop layout, screen direction, weather, and prop ownership. No bicycle use, subtitles, logo, duplicate parcel, or wardrobe change.åé³ã«åœ¹å²ãäžããé³å£°èšå·æ³
å ¬åŒããã³ããã¬ã€ãã¯ã³ã³ãã¯ããªèšæ³ã·ã¹ãã ã䜿ãïŒ[1]
| æå³ | èšæ³ | äŸ |
|---|---|---|
| 鳿¥œ | ( ... ) | (ãã¢ãéããåŸãæå¶ã®å¹ããããã«ãŒãã®åŒŠæ¥œãå§ãŸãã) |
| 广é³ã»ç°å¢é³ | < ... > | <ã¬ã©ã¹ãæã€éšããã¢ãã«ãæšã®äžãæ»ãçŽã®é³ã> |
| ã»ãªã | { ... } | ãœã«ãéãã«èšã: {éåºåã«éã«åã£ããã} |
| åå¹ããã¹ã | ã ... ã | ãäžã€ã®é
éãäžã€ã®äººçãå€ãã£ããã |
äžåœèªä»¥å€ã®çºè©±ã§ã¯ãã»ãªãã®åã«èšèªãå°åçãªæ¹èšãè©±ãæ¹ã話è ãæèšããïŒ
ã¹ãã€ã³èªãã¡ãã·ã³æ¹èšãæž©ãããæ¯ãåããå£èª¿ããã¢ã話ã:
{éšãç§ãæ¢ãããšæã£ãŠããã}話è ãè¿æ¥æ§ããã¢ãã«ã«æšæž¬ãããŠã¯ãããªããåç §ãã¡ã€ã«ã«ç¡é¢ä¿ãªé³æ¥œãåå¹ãæ®ãããŸãŸããããç¡èŠããããšæåŸ ããŠããããªããã¢ããããŒãåã«åãé€ããããã®åç §ã¯åãã®ã¿ãæäŸããBGMã»åå¹ã»å£°ã»ç°å¢é³ã¯ç¶æ¿ãããŠã¯ãªããªããšæèšããããšã
30ç§ã®ããã³ãããé£ç¶ããç¶æ å€åãšããŠæžã
å ¬åŒã®2.5ã¯ãŒã¯ãããŒã§ã¯ã30ç§ã®ã·ãŒã³ã¯12ã®è¡åãå«ã1ã€ã®æ®µèœã§ããã¹ãã§ã¯ãªããæ®µéã«åå²ãããåæ®µéã«ã¯1ã€ã®äž»èŠãªå€åãšèгå¯å¯èœãªçµäºç¶æ ãæãããã[1]
ã¬ã€ãã®è±å±ã®æ¢±å ã·ããªãªãæ¡åŒµããå¿çšäŸããã¡ãã ïŒ
å ¥å â å®å šãªããã³ãã
Mode: Dreamina Seedance 2.5 Omni Reference / 30-second generation
Materials: @Image 1 Sol; @Image 2 Nia; @Image 3 flower-shop interior; @Video 1 parcel handoff; optional @Audio 1 room tone
Parameters: 30 seconds; 16:9; 720p
Prompt:
[Generation goal]
A grounded 30-second short film about a florist preparing the final order of the day.
Naturalistic performance, warm shop interior, rain-dark street outside.
[Reference roles]
@Image 1 defines Sol's identity and work clothes. @Image 2 defines Nia's identity and orange
raincoat. @Image 3 defines the shop layout, materials, and lighting. @Video 1 defines only the
parcel-handoff timing and body mechanics; do not inherit its people, clothing, setting, captions,
or music. If supplied, @Audio 1 defines shop room tone only; do not inherit voices or music.
[Stage 1 â approximately 0â8s]
Initial state: Sol stands at the packing counter; loose flowers and an empty kraft box
are arranged in front of her. Event: she selects three pale peonies and wraps the stems.
Camera: locked medium-wide shot with a very slow push.
End state: the wrapped bouquet rests inside the open box.
[Stage 2 â approximately 8â18s]
Continue from the unchanged box and bouquet. Sol folds the box flaps, ties one blue ribbon,
and presses a small blank card beneath the knot. <Paper fold, ribbon tension, rain on window.>
End state: the box is closed and the ribbon is secure; no loose flowers remain in her hands.
[Stage 3 â approximately 18â26s]
The door bell rings. Nia enters in her orange raincoat. Sol turns, carries the same box
with both hands, and passes it across the counter. Use the handoff timing from @Video 1 only.
At 23s, ownership of the box visibly transfers from Sol to Nia.
End state: Nia holds the box; Sol's hands are empty.
[Stage 4 â approximately 26â30s]
Nia gives a relieved smile and exits. Sol watches from the doorway as the bell settles.
(A two-note musical resolution begins only after the door closes.)
Final state: Sol remains alone inside; Nia and the box are outside.
[Maintain consistency]
Keep faces, clothing, shop layout, box dimensions, ribbon color, screen direction,
rain intensity, and prop ownership consistent. Exactly two people. No subtitles or logo.äºç®ã«ã¯ã¬ã³ãžãåãæž¡ãã«ã¯ãã€ã³ãããªã¢ã¯ã·ã§ã³ã«ã¯çžå¯Ÿçãªã¿ã€ãã³ã°ã䜿ã
- ã·ãŒã³æéã®é
åã«ã¯
approximately 8â18sã®ãããªã¬ã³ãžã䜿ãã - åãæž¡ããç»å Žãéå ŽãããŒãã転æã«ã¯
at 23sã®ãããª1ç¹ã®æ£ç¢ºãªæå»ã䜿ãã - ã¿ã€ãã³ã°ãããåå¿ãã®ãã®ãéèŠãªãšãã¯
one beat after the bellã®ãããªçžå¯Ÿè¡šçŸã䜿ãã
ã¬ã³ãžã¯é£ç¶ãããéè€ãããªãããšãæ£ç¢ºãªç§æ°æå®ã¯ãã¬ãŒã 粟床ã®ç·šéã§ã¯ãªããå€çšãããããšè¡åãæ¶ããŠããŸãããšããããã1ç§éã«3ã€ã®åäœãã¯äžå¯èœãªæŒææç€ºã ã
çŸåšã®Seedance2.soã§ã¯ãSeedance 2.5ã«ãŒãã¯æå€§30ç§ãçæãããããäžèšã®4段éçããã®ãŸãŸå®è¡ã§ããããã®ã«ãŒãã¯Seedanceã¹ã¿ãžãªã§éžæã§ããæ®µéåãããããã³ããããã®ãŸãŸè²Œãä»ããããã2.0ã«ãŒãã§ã¯ããã®æ¹æ³ã4ã15ç§ã«å¿çšããã2段éã«çããããé£ç¶ããã¯ãªãããšããŠããé·ãå°ºãçæããããããã®å Žåããå°ºã¯ããã³ããã§ã¯ãªãéžæããã³ã³ãããŒã«ã§æ±ºãŸãã15ç§ã§é æã¡ã®ã«ãŒãã«ã30ç§ããšæžããŠããããè§£æŸãããããšã¯ãªãã
ãœãŒã¹åç»ãæå³ããåçæããã«ç·šéãã
ç·šéã§ã¯ããœãŒã¹åç»ãã¿ã€ã ã©ã€ã³ãã·ãŒã³ãã«ã¡ã©ãåããé®èœãåºæ¥äºã®é åºã«ã€ããŠã®å¯äžã®ãã¹ã¿ãŒãšå®£èšããããã®äžã§ã¿ãŒã²ããåç §ãç·šéç¯å²ãä¿æãã¹ããã¹ãŠãå®çŸ©ããã[1]
[ãœãŒã¹]
@Video 1 ãå¯äžã®ãã¹ã¿ãŒåç»ã§ããããã®å°ºãã·ã§ããã®é åºãã«ã¡ã©ã®åãã
俳åªã®åããæŒæé
眮ãé®èœãç
§æã®åããå
ã®é³å£°ãä¿æããã
[ã¿ãŒã²ãã]
@Image 1 ã¯ã察象ç©ã®åœ¢ç¶ãçŽ æãè²ãæ§é ã®ã¿ãå®çŸ©ããã
[ç·šé]
以äžã§èª¬æããå
ã®å¯Ÿè±¡ç©ã ãã眮ãæãããéšå±ã俳åªããã¶ã€ã³ãçŽããªãã
[ä¿æ]
ç·šéããŠããªããã¹ãŠã®ãã¯ã»ã«ã @Video 1 ãšæŠå¿µçã«äžèŽããããŸãŸä¿ã€ãæ°ããã«ããã
ãã£ã©ã¯ã¿ãŒãå°éå
·ãããã¹ãã鳿¥œãã«ã¡ã©ã®åãã¯è¿œå ããªããå ¬åŒãã¿ãŒã³ã®äŸïŒã©ã³ãã1ã€äº€æãã
å ¥å â å®å šãªããã³ãã
Mode: Smart Edit / source-video object replacement
Materials: @Video 1 source clip; @Image 1 replacement lamp
Parameters: preserve source aspect ratio and approximately source duration; preserve original audio
Prompt:
@Video 1 is the sole source and timeline master. It shows one table lamp beside an actor.
@Image 1 defines the replacement lamp only: aged brass stem, green glass shade,
short pull chain, and the exact proportions shown in the image.
Replace only the single lamp in @Video 1 with the single lamp from @Image 1.
The replacement must follow the original lamp's position, scale, perspective, occlusion,
reflections, light interaction, and visibility over time. Preserve the actor, table,
room, camera, edit, motion, dialogue, and ambience. Exactly one lamp; no duplicate shade,
no extra furniture, no change to the actor's hands.ãã©ã³ãã亀æããŠãã¯æ å ±äžè¶³ã ãå®å šçã¯ã¿ã€ã ã©ã€ã³ãã¹ã¿ãŒãå€èŠã®ãœãŒã¹ã察象ç©ã®æ°ãå€ããŠã¯ãããªãé¢ä¿æ§ãç¹å®ããŠããã
èæ¯ã®äº€æãé³ã®ã¯ãªãŒã³ã¢ãããè²ã®å€æŽãèŠçŽ ã®é€å»ã«ãåãæ§é ã䜿ããå€ããã®ã¯ã¿ãŒã²ãããšä¿æãªã¹ãã ãã ãåç»ç·šéã¯ãŒã¯ã¹ããŒã¹ã¯ãçŸåšå©çšå¯èœãªSeedance 2.0ã«ãŒãåãã«ãã®ãœãŒã¹ïŒæç€ºã®ãã¿ãŒã³ãå ¬éããŠããã
å¢çãèšèšããŠååŸã«å»¶é·ãã
å»¶é·ãããŸãããã®ã¯ãçæãããåŽã®ç¶ãç®ãããœãŒã¹åŽã§èŠãããŸãã«ãã®ç¶æ ãçšæãããšãã ã2ã€ã®å¢çãã¬ãŒã ã¯èªç¶ã«ã€ãªããã¹ãã ãããã¯ã»ã«åäœã§åäžã§ããå¿ èŠã¯ãªããšã¬ã€ãã¯æ³šæããŠããã[1]
åæ¹åå»¶é·ã®ãã³ãã¬ãŒã
@Video 1 ããœãŒã¹åç»ã§ããããã®åã«æ°ããã³ã³ãã³ããå»¶é·ããã
æ°ããã»ã°ã¡ã³ãã®æçµãã¬ãŒã ã¯ã@Video 1 ã®æåã®ãã¬ãŒã ã«èªç¶ã«ã€ãªããå¿
èŠãããã
å¢çã«ãããŠãããŒãºãåããå°éå
·ã®äœçœ®ãèæ¯ã®ãžãªã¡ããªã空éçãªé¢ä¿æ§ã
ã«ã¡ã©ã®é«ããæ§å³ãç
§æãåãã®æ¹åãäžèŽãããã
ãã¹ãŠã®è¢«åäœã«ã€ããŠãé£ç¶ãã1ã€ã®ã€ã³ã¹ã¿ã³ã¹ãä¿ã€ããœãŒã¹åç»ã®
åŸåã§åããŠç»å Žãã察象ç©ãæ©ãèŠããŠã¯ãªããªããå¿çšãããã¥ã¬ãŒã¿ãŒã®äŸïŒ
å ¥å â å®å šãªããã³ãã
Mode: Extend Video backward
Materials: @Video 1 source clip; @Image 1 curator identity and suit; @Image 2 display case
Parameters: add 6 seconds before source; preserve source aspect ratio; preserve source segment
Prompt:
@Image 1 defines the curator's face and charcoal suit. @Image 2 defines the display case.
@Video 1 is the source: it begins with the curator's right hand already touching the case.
Extend 6 seconds before @Video 1. The curator walks from the left aisle toward the same case,
slows, turns her shoulders toward it, and raises her empty right hand. End the extension with
her fingertips about to make contact in the same pose, direction, framing, and light as the
first source frame. The artifact visible inside the source case must not appear outside it,
and no second curator or second case may appear. Use quiet gallery room tone and measured
footsteps in the new segment, then match the source audio naturally at the boundary.
Do not alter the source segment or its original audio.åæ¹åå»¶é·ã®å Žåã¯ããžãã¯ãéã«ããïŒæ°ããçæãããæåã®ãã¬ãŒã ããœãŒã¹ã®æçµãã¬ãŒã ãåŒãç¶ãããã®ããŒãºãšå°éå ·ã®é¢ä¿ãå»¶é·éšåã®åæç¶æ ã«ããããšãéžæããã¢ãã«ã察å¿ããŠããã°åç»å»¶é·ã䜿ãã
å é ã»æçµãã¬ãŒã ããã«ãããŒãã¬ãŒã ãã¹ããŒãªãŒããŒãã°ãªãã
ããã3ã€ã®ã³ã³ãããŒã«ã¯ããããç°ãªãåé¡ã解決ããã
å é ã»æçµãã¬ãŒã ïŒãšã³ããã€ã³ããåºå®ãã
ãã«ãã¢ãŒãã«ã¢ãŒãã§ã¯ãäž¡æ¹ã®ç»åãåã«ãšã³ããã€ã³ãã ãšæŒ ç¶ãšèšãã®ã§ã¯ãªããæç€ºçã«ã¢ã³ã«ãŒãå²ãåœãŠãïŒ
å ¥å â å®å šãªããã³ãã
Mode: First and Last Frames in multimodal mode
Materials: @Image 1 first frame; @Image 2 last frame; both use the same 9:16 ratio
Parameters: 8 seconds; 9:16; 720p
Prompt:
@Image 1 is the exact first-frame composition: an unopened red umbrella on wet pavement.
@Image 2 is the exact last-frame composition: the same umbrella open above the same child.
[Timeline]
Approximately 0â2s: hold the opening composition long enough to read the closed umbrella as the
child enters from frame-right. Approximately 2â6s: the child reaches down, picks up the handle,
and opens the umbrella in one continuous action. Approximately 6â8s: let the motion settle into
the exact final-frame composition.
Keep the street, rain direction, clothing, umbrella design, and screen direction consistent.
Use light rain, wet footsteps, and one natural umbrella-opening sound; no dialogue or music.
Do not override either anchor with other references. No second child, second umbrella,
teleportation, reverse entry, or unexplained camera cut.åºåæ¯çã¯æåã®ç»åã«åŸããããã¢ããããŒãåã«æåãšæåŸã®ç»åã®æ¯çãåãããŠããããšã远å ã®åç §ã¯ã¢ã€ãã³ãã£ãã£ãçŽ ææãè£åŒ·ããŠããããããšã³ããã€ã³ãã®æ§å³ãåå®çŸ©ãã¹ãã§ã¯ãªãã[1]
ãã«ãããŒãã¬ãŒã ïŒé åºã¥ããããå¯èŠç¶æ ãåºå®ãã
@Image 1 ãã @Image 4 ãããã®æ£ç¢ºãªé åºã§ããŒãã¬ãŒã ãšããŠäœ¿ãã
ããŒãã¬ãŒã 1: å¯å°ãããã³ãŒããŒè±ã®è¢ãã«ãŠã³ã¿ãŒã®äžå€®ã«ããã
ããŒãã¬ãŒã 2: åãè¢ãéããããè±ãã°ã©ã€ã³ããŒã«æ³šãããã
ããŒãã¬ãŒã 3: æœããç²ããã«ã¿ãã£ã«ã¿ãŒã«èœã¡ããè¢ã¯ãã¬ãŒã ã«åã£ãŠããªãã
ããŒãã¬ãŒã 4: 宿ãããšã¹ãã¬ããœãå
ã®è¢ã®æšªã«ãããã©ãã«ã¯ã«ã¡ã©ã«åããŠããã
é£ç¶ãã1ã€ã®æºåå·¥çšãäœããåããŒãã¬ãŒã ã¯ãå¥ã
ã®è£œåã§ã¯ãªãã
ãã®æ®µéã®ç®ã«èŠããçµäºç¶æ
ãå®çŸ©ãããè¢ã®ãã¶ã€ã³ãã«ãŠã³ã¿ãŒããã·ã³ãæã®èŠãç®ã
å
ã®åããå·Šããå³ãžã®åãã®æµããä¿æãããç¬ç«ããç»åã¯ã°ãªããããããããã³ã°ãããããããŒãã¬ãŒã ã¯é åºãšäž»èŠãªç¶æ ãå¶åŸ¡ããã®ã§ãã£ãŠããã¹ãŠã®äžéãã¬ãŒã ãå¶åŸ¡ããããã§ã¯ãªãã
ã¹ããŒãªãŒããŒãã°ãªããïŒæçµçãªãã¯ã»ã«ã§ã¯ãªãã·ã§ããã®é åºãäŒãã
å ¬åŒã¬ã€ãã¯ãçŽ15æä»¥å ã®ã¯ãªãŒã³ãªããã«ãã·ã³ãã«ãªç·ç»ãæå°éã®ã©ãã«ãæç€ºçãªèªã¿é ãæšå¥šããŠããã[1]
å ¥å â å®å šãªããã³ãã
Mode: Omni Reference / storyboard-grid control
Materials: @Image 1 six-panel storyboard grid; @Image 2 subject identity; @Image 3 flower-shop location
Parameters: 15 seconds; 16:9; 720p
Prompt:
@Image 1 is a six-panel storyboard read left-to-right, top row then bottom row.
Use it only for story order, approximate framing, subject blocking, and camera direction.
Do not inherit line-art style, panel borders, arrows, labels, placeholder faces, or text.
@Image 2 defines the subject's face, hair, and clothing. @Image 3 defines the shop's layout,
window placement, materials, and warm interior light. Do not let either reference reorder shots.
Shot 1, approximately 0â3s: wide exterior, slow approach to the shop.
Shot 2, approximately 3â5s: close-up, hand reaches for the door.
Shot 3, approximately 5â8s: medium interior, bell rings as the subject enters.
Shot 4, approximately 8â11s: over-shoulder view of the package handoff.
Shot 5, approximately 11â13s: close-up on the blue ribbon.
Shot 6, approximately 13â15s: wide closing frame through the rain-streaked window.
Final treatment: naturalistic 35mm drama, warm interior against cool rain,
restrained cuts, continuous room tone, one natural door bell in Shot 3, and no dialogue,
music, captions, logos, or storyboard graphics in the output.ç²ããããã¯ã¢ãŠããšç²Ÿå¯ãªãããã¯ã¢ãŠã
ç²ããããã¯ã¢ãŠãã¯åããšç©ºéã®éªšæ Œã ãåçŽãªå³åœ¢ããçµè·¯ãæŒæé 眮ãåäœã®ã¿ã€ãã³ã°ãã«ã¡ã©ã®åããã«ãããç §æã®å€åãé³ã®ãã£ãããå®çŸ©ã§ããããã¹ãŠã®å¹ŸäœåŠçãã¬ãŒã¹ãã«ããŒãæçµçãªè¢«åäœã«å¯Ÿå¿ã¥ããç°è²ã®å³åœ¢ãæç€ºçã«é€å€ããã[1]
å ¥å â å®å šãªããã³ãã
Mode: Omni Reference / coarse-blockout transfer
Materials: @Video 1 primitive blockout; @Image 1 cyclist; @Image 2 delivery box; @Image 3 market street
Parameters: 12 seconds; 16:9; 720p
Prompt:
@Video 1 is a coarse blockout. The blue capsule maps to the cyclist from @Image 1.
The orange cube maps to the delivery box from @Image 2. The gray corridor maps to the
market street from @Image 3. Inherit only timing, movement paths, blocking, camera path,
cuts, and screen direction. Render the final subjects and environment photorealistically.
Use restrained bicycle-chain, tire, and market ambience synchronized to the inherited action;
no dialogue or music. Keep exactly one cyclist and one attached delivery box. Do not inherit
primitive shapes, gray materials, guide lines, labels, viewport UI, or empty scenery.粟å¯ãªãããã¯ã¢ãŠãã¯ãã§ã«å®å šã«ã¢ããªã³ã°ãããæ§é ãæã£ãŠããããžãªã¡ããªãåäœã空éãã«ã¡ã©ãã«ãããä¿æããªãããæçµçãªçŽ æããã£ã©ã¯ã¿ãŒãç §æãã¹ã¿ã€ã«ãåã¬ã³ããªã³ã°ãããå Žåã«äœ¿ãã
@Video 1 is the fine 3D blockout and sole structural master.
Preserve architecture, furniture dimensions, actor blocking, action timing, camera lenses,
camera route, and cuts. @Image 1 defines the final actor; @Image 2 defines oak and brushed
steel materials; @Image 3 defines the evening light. Rerender as a finished live-action scene.
Do not show axes, controllers, camera frustums, path lines, default shaders, or viewport UI.ã¢ããããŒãåã«ç²Ÿå¯ãªãããã¯ã¢ãŠããã¯ãªãŒã³ã«ããŠããããšãç®ã«èŠãããã¹ã¹ãã©ã€ã³ã¯æ¶ç©ºã®ã±ãŒãã«ã«ãªããããªããã軞ã®ãºã¢ã¯å°éå ·ã«ãªããããªãã
ç»åã»ããããã¯ã³ã¯ãªãã¯ã§åç»ãäœã
ããããã®ç»åãåç»ã«ããŠããšããæç€ºã¯ãé åºãåããç·šéãé³ãæªè§£æ±ºã®ãŸãŸã«ãããå ¬åŒã®æé ã䜿ãïŒ[1]
Material roles â Image order â Motion amount â Editing style â Visual treatment â Audioå ¥å â å®å šãªããã³ãã
Mode: Omni Reference / one-click image-set video
Materials: @Image 1 desk pack shot; @Image 2 product in hand; @Image 3 outdoor use; @Image 4 final pack shot
Parameters: 12 seconds; 9:16; 720p
Prompt:
@Image 1 defines the opening product-on-desk composition.
@Image 2 defines the same product in a hand.
@Image 3 defines the outdoor use scene.
@Image 4 defines the final pack shot.
Use the images in this order and treat them as one continuous product story.
[Timeline]
Approximately 0â3s: begin on @Image 1 and add one slow 5-degree product turn.
Approximately 3â6s: match cut by product shape and screen position to @Image 2; use only
slight, anatomically plausible hand movement.
Approximately 6â9s: match cut to @Image 3; add shallow parallax and slow background drift while
the product remains the visual anchor.
Approximately 9â12s: match cut to @Image 4, settle all movement, and hold the final pack shot.
Use restrained match cuts based on shape and screen position.
Final look: warm editorial daylight, tactile paper and metal, high contrast but natural skin.
<Soft room tone becomes outdoor ambience; one clean product click at the final frame.>
Preserve product shape, color, label, orientation logic, and scale across all four beats.
No invented text, warped packaging, extra accessories, abrupt zooms, or frantic motion.ã¹ã¿ã€ã«ãªãã¡ã¬ã³ã¹åç»ã¯ããã®ã¢ã¯ã¿ãŒããã±ãŒã·ã§ã³ãæç€ºçã«é€å€ãã€ã€ããªãºã ã»ãã©ã³ãžã·ã§ã³ã»åå¹ã®åŠçã»é³æ¥œãå®çŸ©ããããšãã§ããã
ãã©ã³ãžã·ã§ã³ãææ è¡šçŸããããã§ãã·ã§ãã«ãªã«ã¡ã©èšèª
ã·ãŒã ã¬ã¹ãªãã©ã³ãžã·ã§ã³ã§ã¯èŠèŠçãªæ©æž¡ããèšè¿°ãã
transition from @Video 1 to @Video 2ãšã ãæžããŠã¯ãããªããç¶ãç®ãé ãå
±éã®åœ¢ãæ¹åãè²ã察象ç©ãåããåæãããïŒ
Use @Video 1 before @Video 2. Preserve both source clips outside the transition.
At the end of @Video 1, the camera moves into the courier's orange raincoat until orange
fills the frame. Begin @Video 2 on the same orange field, then pull back to reveal a sunset wall.
Match motion direction, exposure, blur, and transition speed. No flash frame, logo, or extra cut.ç¶ãç®ããšã«1ã€ã®ä»çµã¿ã ããäžãããåã0.5ç§ã«4ã€ã®ãšãã§ã¯ããéããŠã¯ãããªãã
ææ ã®ã©ãã«ã§ã¯ãªãã芳å¯å¯èœãªæŒæãæç€ºãã
ãåœŒå¥³ã¯æ²ãããªããã¯å é¢ã®ç¶æ ãåã¥ããŠããã ãã§ãæŒæãæäŸããŠããªãããã£ãããšç®ã«èŠããæ¯ãèããæžãïŒ
Sol hears the door bell and first assumes the customer returned.
She lifts her chin and starts a smile. One beat later she sees the empty doorway;
the smile stops, her shoulders lower, and her gaze settles on the parcel left behind.
Keep the performance restrained: no tears, collapse, shouting, or exaggerated trembling.è€æ°æ®µéã®ææ ã§ã¯ãåå€åãåºæ¥äºã«çµã³ã€ããïŒé³ã®åŸã®æåŸ ãéã®åŸã®ç念ãèªèã®åŸã®å®å µãããã«ãã£ãŠã3ã€ã®ææ ãåæã«æ±ããã®ã§ã¯ãªããæŒããããäžé£ã®æµããçãŸããã
ã«ã¡ã©çšèªãææ§ãã®ãªãæç€ºãšããŠäœ¿ã
| ç®ç | æçšãªæç€º | é¿ããã¹ãè¡šçŸ |
|---|---|---|
| 被åäœã«æ¥è¿ãã | slow dolly in at eye level | zoom in cinematically |
| 暪æ¹åã®åãã远ã | parallel tracking shot, left to right | dynamic camera |
| 空éçãªæèãæãã | crane up from medium shot to high wide | epic reveal |
| 泚æãç§»ã | rack focus from the parcel to Sol's eyes | focus on everything |
| èšå Žæãå ãã | restrained handheld medium close-up | shaky documentary |
| ã«ãããé ã | whip pan ending in full-frame motion blur | cool transition |
| äžå®æãäœã | slow push with subtle Dutch angle | scary lens |
| ã¹ã±ãŒã«ã匷調ãã | low-angle wide shot with foreground depth | make it huge |
ã·ã§ããããšã«æ¯é çãªåãã1ã€éžã¶ããªãŒããããã¯ã¬ãŒã³ãããªãŒããã³ããã«ãã®æºããã©ãã¯ãã©ãŒã«ã¹ãå¿ èŠãªãããã®ã¢ã€ãã¢ãã·ã§ããããšã«åå²ããã«ããã®é åºãæèšããã
æåºåãã§ãã¯ãªã¹ã
çæããåã«ãããªãã®æå³ãèŠãããšãã§ããªãå¶äœã¯ã«ãŒã«ãªã£ãã€ããã§ããã³ãããèªã¿è¿ãã
- ç®æšïŒ ææç©ã¯è€æ°ã®ç«¶åããã³ã³ã»ããã§ã¯ãªããæç¢ºãª1æ¬ã®åç»ã«ãªã£ãŠãããïŒ
- 被åäœïŒ 人ç©ãååãå°éå ·ã幟äœåŠçãã¬ãŒã¹ãã«ããŒã¯ãã¹ãŠååã¥ããããæ°ããããŠãããïŒ
- çŽ æã®åœ¹å²ïŒ ãã¹ãŠã®ç»åã»åç»ã»é³å£°ãã¡ã€ã«ã«æç¢ºãª1ã€ã®åœ¹å²ãšé€å€äºé ããããïŒ
- ã·ãŒã³ã®éžæïŒ åæ®µéã¯ãå®éã«å¿ èŠãªåç §ã ãããªã¹ãããŠãããïŒ
- ç¶æ ã®é£ç¶æ§ïŒ åæ®µéã¯ãæ¬¡ã®æ®µéãåŒãç¶ãç®ã«èŠããç¶æ ã§çµãã£ãŠãããïŒ
- ã¿ã€ãã³ã°ïŒ ã¬ã³ãžã¯é£ç¶ããŠãããïŒæ£ç¢ºãªã¿ã€ã ã¹ã¿ã³ãã¯éèŠãªåå³ã®ããã«åã£ãŠãããïŒ
- ã«ã¡ã©ïŒ ã·ã§ããããšã«æ¯é çãªåãã¯1ã€ã§ãç»é¢ã®åãã¯ä¿ãããŠãããïŒ
- é³å£°ïŒ 話è ãèšèªãè©±ãæ¹ã鳿¥œã广é³ãäžèŠãªåç §é³å£°ã¯æç¢ºãïŒ
- ç·šéïŒ ãœãŒã¹åç»ãå¯äžã®ãã¹ã¿ãŒãšããŠå®£èšãããç·šéç¯å²ã¯çãçµãããŠãããïŒ
- ãšã³ããã€ã³ãïŒ å é ã»æçµãã¬ãŒã ã¯äºææ§ã®ããæ¯çãå ±æããå¥ã ã«èšè¿°ãããŠãããïŒ
- é€å€äºé ïŒ éè€ãäžèŠãªããã¹ããç¶æ¿ãããã¬ã€ããç¡é¢ä¿ãªBGMãã¹ã¿ã€ã«ã®æŒåºãçŠæ¢ããŠãããïŒ
- ã€ã³ã¿ãŒãã§ãŒã¹ã®å¶éïŒ ããã³ããã¯ãã©ããå¥ã§èªãã äžæµã®ä»æ§ã§ã¯ãªããå®éã«éžæããã¢ãã«ãšå°ºã«åã£ãŠãããïŒ
Seedanceããã³ãããžã§ãã¬ãŒã¿ãŒã¯åçš¿ãäœæã§ãããçæããåã«ãã¹ãŠã®åœ¹å²ã確èªããççŸãåãé€ãããšã
1ã€ã®å±€ãçŽããŠåºåã蚺æãã
| 倱æ | æãå¯èœæ§ã®é«ãããã³ããã®åé¡ | æåã®ä¿®æ£ |
|---|---|---|
| æå³ããªãåç §ã被åäœãæ¯é ãã | 圹å²ãçŽã¥ããæé»ç | ãã¡ã€ã«ããšã«1ã€ã®åœ¹å²è¡ã被åäœããšã«1ã€ã®ãããã¡ã€ã«ã远å ãã |
| å°éå ·ãè€è£œãããããŸãã¯ææè ãå€ãã | åæ°ãçµäºç¶æ ã®æå®ããªã | æ£ç¢ºãªåæ°ãææè ãæãåãæž¡ãã®ç¬éãæèšãã |
| åŸåã®è¡åãæ¶ãã | åºæ¥äºãå€ãããããŸãã¯æ£ç¢ºãªã¿ã€ã ã¹ã¿ã³ããå€ããã | åæ®µéã«1ã€ã®ç¶æ å€åãäžããéèŠã§ãªãã¿ã€ãã³ã°ã¯ç·©ãã |
| ç·šéã§åç»å šäœãå€ãã£ãŠããŸã | ãœãŒã¹ããã¹ã¿ãŒãšããŠå®£èšãããŠããªã | ãœãŒã¹ã®åœ¹å²ãçãç¯å²ãä¿æãªã¹ãã远å ãã |
| å»¶é·ã®ç¶ãç®ã§ãžã£ã³ããã | å¢çã®ç¶æ ãææ§ | äž¡åŽã®ããŒãºããã¬ãŒã ã®åããå°éå ·ã®é¢ä¿ãå ãã«ã¡ã©ãèšè¿°ãã |
| ã¹ããŒãªãŒããŒãã®ã°ã©ãã£ãã¯ãçŸãã | ç¶æ¿ã®é€å€æå®ãæããŠãã | æ ç·ãç¢å°ãããã¹ããã©ãã«ãç·ç»ã¹ã¿ã€ã«ãæåŠãã |
| ãããã¯ã¢ãŠããç°è²ã®ãŸãŸ | ãã¬ãŒã¹ãã«ããŒã®ãããã³ã°ãäžå®å š | åå³åœ¢ã察å¿ã¥ããæçµçãªåã¬ã³ããªã³ã°ãæç€ºçã«èŠæ±ãã |
| ææ ãèå± ããã£ãŠèŠãã | æç€ºãæœè±¡ç | ãã£ããã身äœçãªåå¿ãéãæå¶ã远å ãã |
| é³å£°ãæå³ããªããœãŒã¹ã®ãã®ã«ãªã | é³å£°ã®åœ¹å²ãæªæå® | 声/鳿¥œ/ç°å¢é³ã®ãœãŒã¹ãç¹å®ããä»ã®é³å£°ãæåŠãã |
äžåºŠã«1ã€ã®å±€ã ããå€ãããã¢ã€ãã³ãã£ãã£ãééã£ãŠããå Žåãã¬ã³ãºã»ç §æã»ã»ãªãã»å°ºãåæã«å€ããŠã¯ãããªãã
仿¥ããããã®ããã³ãããAPIçµç±ã§äœ¿ã
å ¬åŒææžã¯ãDreaminaå ã®Seedance 2.5ã«ã€ããŠã30ç§çæããã倧ããªçŽ æããã¯ãå«ããŠèª¬æããŠããã[2][3] ãããã¯ããã®ãµã€ããå ¬éã®Seedance 2.5éçºè åããšã³ããã€ã³ããæäŸããŠãã蚌æ ã§ã¯ãªããããã®ãããªäž»åŒµãããŠããªãã
仿¥å©çšå¯èœãªæ¬çªã¢ã¯ã»ã¹ãšããŠã¯ãéçºè ã¯åã圹å²ãããã³ã°ã®ååãSeedance 2.0 APIæŠèŠã«é©çšããããreAPIãå ¬éããŠããSeedance 2.0ã¢ãã«ã䜿ãããreference-to-videoã§åç §ã®æåããã¹ãã§ããããžã§ãã¯ããã®ã«ãŒããå ¬éããŠãã蚱容ç¯å²ã«åãããŠèª¿æŽããããšïŒ2.0ã«ãŒãã¯ç»åæå€§9æãåç»3æ¬ãé³å£°3ãã¡ã€ã«ãåç §åç»/é³å£°15ç§ãåºå4ã15ç§ã«å¯Ÿå¿ããã¹ã¿ãžãªã®Seedance 2.5ã«ãŒãã¯ç»åæå€§30æãåç»10æ¬ãé³å£°10ãã¡ã€ã«ãåºå4ã30ç§ã«å¯Ÿå¿ãããããã³ããã®ææ³ã¯åŒãç¶ãããããæ©èœã®èš±å®¹ç¯å²ã¯åŒãç¶ãããªãã
FAQ
æè¯ã®Seedance 2.5ããã³ããæ§é ãšã¯ïŒ
被åäœãšç®ã«èŠããè¡åããå§ãããç°å¢ãã¹ã¿ã€ã«ã1ã€ã®ã«ã¡ã©æç€ºãé³å£°ã¯ãã·ãŒã³ãå€ããå Žåã«ã®ã¿è¿œå ããããã«ãã¢ãŒãã«äœæ¥ã§ã¯ãã·ãŒã³ã®åã«çŽ æã®åœ¹å²å°åž³ãããã®åŸã«äžè²«æ§ãããã¯ã眮ããé·ãåç»ã§ã¯ãäžééšãæç€ºçãªçµäºç¶æ ãæã€é£ç¶ããæ®µéã«åå²ããã
Seedance 2.5ããã³ããã§äœ¿ããåç §æ°ã¯ïŒ
å ¬åŒã®Dreamina 2.5ããã¥ã¡ã³ãã¯ãåèšæå€§50ä»¶ïŒç»åæå€§30æãåç»æå€§10æ¬ãé³å£°æå€§10ãã¡ã€ã«ïŒã蚱容ããåç»ã¯åèš30ç§ãé³å£°ãåèš30ç§ãŸã§ãšããŠããã[1] Seedance2.soã®Seedance 2.5ã«ãŒãã¯åãæ°å€ãã€ãŸãç»å30æãåç»10æ¬ãé³å£°10ãã¡ã€ã«ãå ¬éããŠããäžæ¹ãæ§æ¥ã®2.0ã«ãŒãã¯ç»å9æãåç»3æ¬ãé³å£°3ãã¡ã€ã«ã§é æã¡ã§ãåç §ãšåºåã®å°ºã®äžéãããçãã[4] ãµã€ãå šäœã«åäžã®äžéããããšèãããéžæããã«ãŒãã®ã³ã³ãããŒã«ã確èªããããšã
ã¢ããããŒãããåç §ã¯ãã¹ãŠã®ã·ãŒã³ã«çŸããã¹ããïŒ
ããããåãã¡ã€ã«ã«åœ¹å²ãå²ãåœãŠã被åäœãããã¡ã€ã«ãæ§ç¯ããã·ãŒã³ããšã«å¿ èŠãªåç §ããªã¹ããããã¢ãŒã·ã§ã³åç §ã¯ããã®ã¢ã¯ã¿ãŒãèæ¯ãæäŸããããšãªãã«ã¡ã©ã®ã¿ã€ãã³ã°ãå¶åŸ¡ã§ãããç®æãã¹ãã¯æ£ããéžæã§ãã£ãŠããã¹ãŠã®çŽ æãåæã«äœ¿ãããšã§ã¯ãªãã
30ç§ã®åç»ã§ã¿ã€ã ã¹ã¿ã³ãã¯ã©ãæžãã¹ããïŒ
段éã®äºç®é åã«ã¯é£ç¶ããã¬ã³ãžã䜿ããæ£ç¢ºãªç§æ°ã¯éèŠãªåãæž¡ããç»å Žãéå Žã転æãé³ã®ããŒãã«ã ã䜿ããåæ®µéã«ã¯1ã€ã®äž»èŠãªç¶æ å€åãšç®ã«èŠããçµäºç¶æ ãäžãããæ£ç¢ºãªã¿ã€ã ã¹ã¿ã³ãã¯éèŠãªåºæ¥äºã®ç®å®ã§ããããã¬ãŒã 粟床ã®ç·šéãä¿èšŒãããã®ã§ã¯ãªãã
ããŒãã¬ãŒã ã°ãªãããšã¹ããŒãªãŒããŒãã°ãªããã®éãã¯ïŒ
åå¥ã®ããŒãã¬ãŒã ã¯é åºã¥ããããèŠèŠçç¶æ ãããçŽæ¥çã«å®çŸ©ãããã¹ããŒãªãŒããŒãã°ãªããã¯çæžããã·ã§ããã®é åºãããããã®æ§å³ãã«ã¡ã©ã®ã¢ã€ãã¢ãäŒãããã°ãªããã䜿ãå Žåã¯èªã¿é ãæèšãããã®æ ç·ãç¢å°ãã©ãã«ãç·ç»ããã¬ãŒã¹ãã«ããŒã®é¡ãæåŠããããšã
ãœãŒã¹åç»ã®ç·šéããã¹ãŠãå€ããŠããŸããªãããã«ããã«ã¯ïŒ
ãœãŒã¹åç»ããã¿ã€ã ã©ã€ã³ãã«ã¡ã©ãåããæŒæé 眮ãé®èœãåºæ¥äºã®é åºã®å¯äžã®ãã¹ã¿ãŒãšå®£èšãããã¿ãŒã²ããåç §ã®çã圹å²ãå®çŸ©ããæ£ç¢ºãªç·šéå 容ãšå¯Ÿè±¡ç©ã®åæ°ãæèšããå€ããŠã¯ãããªããã®ããã¹ãŠãªã¹ãããã
ããã³ããã«ãã£ãŠSeedance2.soã§30ç§åºåãè§£æŸããããïŒ
ããããå°ºã¯ã¢ãã«ã®ãã©ã¡ãŒã¿ã§ãããéæ³ã®èšèã§ã¯ãªãããã ãäžéãã®ãã®ã¯ã«ãŒãã«ãã£ãŠå€ããããã®ãµã€ãã®Seedance 2.5ã«ãŒãã¯ãDreaminaã®ææžåãããã¯ãŒã¯ãããŒãšåããæå€§30ç§ãçæãã2.0ã«ãŒãã¯ãããã€ããŒãšãã£ã¢ã«å¿ããŠ4ã15ç§ã§é æã¡ã«ãªããé·ããã€ã¯ãå¯èœã«ããã®ã¯2.5ãéžã¶ããšã§ããã15ç§ã®ã«ãŒãã§ããã³ããã«ã30ç§ããšæžããŠãäœãèµ·ããªããåžžã«éžæããã¢ãã«ã®è¡šç€ºã³ã³ãããŒã«ãä¿¡é Œããããšã
ãã®ãµã€ãã§Seedance 2.5ã®APIã¢ã¯ã»ã¹ã¯å©çšã§ãããïŒ
ããã§ã¯å ¬éã®Seedance 2.5éçºè åããšã³ããã€ã³ãã¯äž»åŒµããŠããªããèªååã®ããŒã¹ã©ã€ã³ãšããŠã¯ãçŸè¡ã®Seedance 2.0 APIæŠèŠãreAPIãå ¬éããŠããSeedance 2.0ã¢ãã«ã䜿ãããšãå°æ¥ã®2.5 APIãªãªãŒã¹ã«ã€ããŠã¯ããããåæã«æ§ç¯ããåã«å¿ ãå ¬åŒãœãŒã¹ã§ç¢ºèªããããšã
åç §ããããæ¬¡ã®ããã³ããã«å€ãã
æ§é ã蚌æããæå°ã®ãžã§ãããå§ããïŒ1ã€ã®è¢«åäœã1ã€ã®ç®ã«èŠããç¶æ å€åã1ã€ã®ã«ã¡ã©ã®å€æããããŠãããã®éžæãå¶åŸ¡ããåç §ã ãããã¹ãŠã®çŽ æã®åœ¹å²ã¯ã·ãŒã³ã®äžã«ãåæ°ã»ã¢ã€ãã³ãã£ãã£ã»å°éå ·ã®æææš©ã»åãã»é€å€äºé ã¯ãã®äžã«çœ®ããåã«ãŒãã«ã¯ãã®ãŸãŸã³ããŒã§ããå®å šãªããã³ããããããåšå²ã®è§£èª¬ãšæåŸã®ãã§ãã¯ãªã¹ãã§ã¬ã³ããŒãè©äŸ¡ã§ããã詊ãã®ã«æãéãã®ã¯ãSeedanceã¹ã¿ãžãªãéããæå ã®çŽ æã«åãã«ãŒããéžã³ããŸãããã³ããã®æå°çãèµ°ãããããšã ã
ãããã®ã³ã³ãããŒã«ãå©çšå¯èœãªå Žåã¯ãDreaminaã®å ¬åŒ30ç§ã»å€§èŠæš¡åç §ãã³ãã¬ãŒãã䜿ãããšãããå°èŠæš¡ãªãµãŒãããŒãã£ãAPIã¯ãŒã¯ãããŒã§ã¯ãåãæŒåºããžãã¯ãä¿ã¡ãªããããã®ãã£ãã«ã瀺ãäžéã«åãããŠçŽ æããã¯ãå°ºãæ®µéã®æ°ãæžããããšã圹ç«ã€Seedance 2.5ããã³ããã¬ã€ããšã¯ãããã³ãããåã«é·ãããã®ã§ã¯ãªããæ¬¡ã®çæã蚺æãããããããã®ã§ããã¹ãã ã
References
- ByteDance / Dreamina. Dreamina Seedance 2.5 Prompt Guide. Official formulas, multimodal material limits, role mapping, staged timing, editing, extension, anchors, storyboards, blockouts, transitions, performance, and camera direction. Last modified July 31, 2026. Retrieved August 2026 from bytedance.larkoffice.com/docx/A88jd0B47oAd8zxWp5ycZFMfnxh
- ByteDance / Dreamina. Dreamina Seedance 2.5 User Guide. Official mode, input, duration, language, long-video, editing, extension, and Clay Renderer documentation. Last modified July 31, 2026. Retrieved August 2026 from bytedance.larkoffice.com/wiki/NjnWwvf4BiFYFLk2RzrcEgaunGf
- Dreamina. AI creation home. Official product entry linked from the Seedance 2.5 User Guide. Retrieved August 2026 from dreamina.capcut.com/ai-tool/home
- Seedance2.so. Current omni-reference fields and model configuration. Independent third-party implementation. The Seedance 2.5 route exposes 30 image, 10 video, and 10 audio input fields with 4â30-second outputs; the 2.0 routes expose 9 image, 3 video, and 3 audio fields with 4â15-second outputs. Retrieved August 2026 from seedance2.so/reference-to-video
èè

ã«ããŽãªãŒ
ãã®ä»ã®æçš¿

ãã«ãã¢ãŒãã«AIã®æŽ»çšã¬ã€ãïŒSeedance 2.0ã§åç»å¶äœã驿°ãã
ãã«ãã¢ãŒãã«AIã®æŠå¿µãããããã¹ãã»ç»åã»åç»ã»é³å£°ãåæã«äœ¿ã£ãåµäœãŸã§ãSeedance 2.0ã䜿ããç¡æã§ãã«ãã¢ãŒãã«åç»çæãå§ããæ¹æ³ã玹ä»ããŸãã


AIãããªãšãã£ã¿ãŒã§åç»ç·šéãå€ããïŒ2026å¹Žã®ææ°ããŒã«ãšæŽ»çšæ³
AIãããªãšãã£ã¿ãŒã®åºç€ç¥èãããåŸæ¥ã®åç»ç·šéãšã®æ¯èŒãAIåç»ç·šéããŒã«ã®å®è·µçãªäœ¿ãæ¹ãŸã§ãSeedance 2.0ãæŽ»çšããå¹ççãªåç»å¶äœã®æ¹æ³ã詳ãã解説ããŸãã


Seedance 2.5ã®äœ¿ãæ¹ïŒDreaminaå®å šã¬ã€ã
Dreaminaã§Seedance 2.5ã䜿ãå®è·µã¬ã€ããã¢ãŒãéžæãçŽ æã®æºåã30ã180ç§ã®å¶äœãããŒãç·šéããŒã«ãæžãåºãåã®ç¢ºèªãŸã§è§£èª¬ããŸãã

